Curriculum Vitae

Doctor of Philosophy in Arts and Social Sciences

School of Art and Design, Australian National University

Master of Art History and Curatorial Studies (Advanced)

School of Art and Design, Australian National University

Bachelor of Arts/Bachelor of Arts (Visual) with First Class Honours

School of Art and Design, Australian National University

Research Assistant & Executive Assistant

Centre for Early Modern Studies, Research School of Humanities and the Arts, Australian National University

Lecturer in Early Modern Art, Design and Material Culture

Centre for Art History and Art Theory (CAHAT), School of Art and Design, ANU

Research Assistant & Project Administrator

Performing Transdisciplinarity (Australian Research Council Discovery Project DP170102666), CAHAT, ANU

Sessional Lecturer & Tutor

CAHAT, ANU

Volunteer Curatorial Assistant

Australian and International Decorative Arts and Design

Volunteer Assistant Conservator

National Gallery of Australia

Archive Assistant

Research Library and Archive, National Gallery of Australia

Gold- and Silversmith, Restorer and Conservator

freelance

Endeavour Research Fellow

Voltaire Foundation, University of Oxford

Visiting Research Fellow

School of Cultural Inquiry (2013) and School of Literature, Languages and Linguistics (2014-2016), ANU

Australian Academy of the Humanities Ernst Keller European Travelling Fellowship

The Manufacture of Minoan Metal Vessels: Theory and Practice. Studies in Mediterranean Archaeology Pocket Book 178. Uppsala: Åströms förlag, 2013.

2024, “Appendix of Choix de chansons Metadata,” in Wellington et al., Choix de Chansons: a digital critical edition,” https://choixdechansons.cdhr.anu.edu.au/appendix-of-choix-de-chansons-metadata/.

2023, Robert Wellington and Christina Clarke, “Collaborative Artisanship: Medals at Louis XIV’s Royal Mint,” Journal of Historical Metallurgy, 54.1, 21-35, https://doi.org/10.54841/hm.659.

2022, “The Sun King’s Silver: An Artisan-Centered Study of the Silver Furnishigs of Louis XIV,” West 86th: A Journal of Decorative Arts, Design History, and Material Culture 29.2, https://www.journals.uchicago.edu/doi/abs/10.1086/725983.

2022, “Reanimating the Goldsmith: An Artisanal Reading of the Archive,” Journal18: A Journal of 18th Century Art and Culture 14, https://www.journal18.org/issue14/reanimating-the-goldsmith-an-artisanal-reading-of-the-archive/.

2012, “Minoan Metal Vessel Manufacturing: Techniques and Technology”, Chronika 2: 11-21.

Forthcoming, Robert Wellington and C. Clarke, “La fabrication des médailles de Louis XIV,” in Yvan Loskoutoff (ed.) Les medailles de Louis XIV et leur livre Vol. 3.

2021, “Minoan Double-Axe Head,” Australian National University Classics Museum Catalogue [online museum catalogue], https://slll.cass.anu.edu.au/classics-museum/catalogue/objects/minoan-double-axe-head-201903#acton-tabs-link–tabs-0-footer-3.

2014, “Minoan Metal Vessel Manufacture: Reconstructing Techniques and Technology with Experimental Archaeology“, in Rebecca B. Scott, Dennis Braekmans, Mike Carremans & Patrick Degryse (eds) 39th International Symposium on Archaeometry: 28 May – 1 June 2012 Leuven, Belgium, Centre for Archaeological Sciences, KU Leuven, Leuven: 81-85.

Co-editor, Jean Benjamin de Laborde’s 1773 Choix de chansons: A Critical Digital Edition, https://choixdechansons.cdhr.anu.edu.au.

Clarke, “Conference Review: ‘Enchanted Isles, Fatal Shores: Living Versailles,’ National Gallery of Australia, April 17-18, 2017,” The Court Historian 22, no. 2 (2017), 218-220.

Clarke, “Review of Metals in LBA Minoan and Mycenaean Societies on Crete: A Quantitative Approach by Lena Hakulin,” Bryn Mawr Classical Review (4 May, 2016), http://www.bmcreview.org/2016/05/20160504.html.

Stephanie Aulsebrook and Christina Clarke, “‘Peaceful’ Minoans, ‘Warlike’ Mycenaeans and their Precious Metal Vessels: A Reassessment of a Tired Cliché,” Historical Metallurgy Society, July 3, 2020, https://historicalmetallurgy.org/hms-members-projects/mycenaean-vessels.

“Metalwork in the Encyclopédie: Critical Interpretation and the Evidence of Material Culture,” Voltaire Foundation Blog, 15 January, 2019, https://voltairefoundation.wordpress.com/2019/01/15/metalwork-in-the-encyclopedie-critical-interpretation-and-the-evidence-of-material-culture/.

“Ernest Gimson and Alfred Bucknell Sconce, c. 1904-1906. National Gallery of Australia,” Metal History Notes (blog), first published March 12, 2018,Ernest Gimson and Alfred Bucknell Sconce, c. 1904-1906. National Gallery of Australia..

“Paul Revere Teapot, 1760-65. Museum of Fine Arts Boston,” Metal History Notes (blog), March 11, 2018, Paul Revere Teapot, 1760-65. Museum of Fine Arts Boston..

2020, “The Manufacturing Network of Louis XIV’s Silver Furniture,” Furniture History Society Newsletter 218 (May 2020), 29-30

2012, “Hollowware manufacture in Crete during the Bronze Age,” Newsletter of the Silver Society of Australia, October 2012: 9-11.

“Artisanship and archaeology in the art-historical archive: Silversmithing practices of Louis XIV’s royal goldsmiths,” Histories of Metallurgy and Metal Material Culture, ANU Centre for Art History and Art Theory, 18 November 2022

“Rhoda Wager: Glasgow and Sydney,” Excavating Women’s Histories: Nineteenth to Mid-Twentieth Centuries (panel), Art Association of Australia and New Zealand Annual Conference, Monash University and University of Melbourne [online], 1-3 December 2022

Christina Clarke and Elisa de Courcy, (Re-)Making from the Archive: Thinking about Process and Using Practice as Art Historical Methodologies, Art Association of Australia and New Zealand Annual Conference, University of Sydney [online], 8-11 December 2021

Christina Clarke and Robert Wellington, “Jean-Benjamin de Laborde’s Choix de chansons: A Digital Critical Edition,” Art Association of Australia and New Zealand Annual Conference, University of Auckland, 3-6 December, 2019.

“The Manufacturing Network of Louis XIV’s Silver Furniture,” Furniture History Society Research Symposium, Wallace Collection, London, 22 November, 2019.

Stephanie Aulsebrook and Christina Clarke, “‘Peaceful’ Minoans, ‘Warlike’ Mycenaeans and their Precious Metal Vessels: A Reassessment of a Tired Cliché,” Historical Metallurgy Society Research in Progress Meeting, University of Cambridge, 15 November, 2019.

Robert Wellington and Christina Clarke, “La fabrication des médailles de Louis XIV,” Les médailles de Louis XIV et leur livre, Monnaie de Paris, Paris, 13-15 June 2019.

Robert Wellington and Christina Clarke, “Image, Music, Text and Metadata: Reflections on the Challenges of the Choix de Chansons,” 47th Annual Conference of the British Society of Eighteenth Century Studies, St Hugh’s College, Oxford, United Kingdom, 3-5 January 2018.

“A new approach to the identification of inter-regional connections in the Eastern Mediterranean during the third millennium BC,” Historical Metallurgy Society 50th Anniversary Conference, Quaker Friends House, London, UK, 14-16 June 2013.

“Minoan metal vessel manufacture: Reconstructing techniques and technology with experimental archaeology,” 39th International Symposium on Archaeometry, Katholieke Universiteit (KU) Leuven, Belgium, 29 May 2012.

“Minoan metal vessel manufacturing: Techniques and technology,” Historical Metallurgy Society Research in Progress Meeting, University of Sheffield, United Kingdom, 9 November 2011.

“Identification of a raised vessel manufacturing workshop in Minoan Crete,” ArchaeoMetallurgy Conference (Research in Progress Meeting for the Historical Metallurgy Society), University of Bradford, United Kingdom, November 2009.

Australian National University Humanities Research Centre Research Development Scheme Funding

Australian National University Early Career Researcher Travel Grant

Endeavour Research Fellowship

The Australian Academy of the Humanities Ernst Keller European Travelling Fellowship

The Australasian Society for Classical Studies Early Career Award

The ANU (Canberra) Friends of the Australian Archaeological Institute at Athens Scholarship for Research in Greece

Australian National University Vice Chancellor’s Travel Grant

Silver Society of Australia Contemporary Silver Award

Australian National University College of Arts and Social Sciences Graduate Materials Award in Visual Arts

The ANU (Canberra) Friends of the Australian Archaeological Institute at Athens Scholarship for Research in Greece

Australian National University College of Arts and Social Sciences Grant for Research Travel

Funding from Research Councils UK China for attendance at the Institute for Archaeo-Metallurgical Studies Archaeometallurgy Summer School in Beijing, China

Australian Postgraduate Award

Vice Chancellor’s Award for Teaching Excellence (Early Career)

The Australian National University

Dean’s Commendation for Excellence in Teaching

College of Arts and Social Sciences, Australian National University

Certificate in Leading Learning and Teaching

Centre for Learning and Teaching, Australian National University

Certificate in Foundations of University Teaching and Learning

Centre for Learning and Teaching, Australian National University

Certificate in Technology-Enhanced Learning in Higher Education

The Australian National University

Art and Design Histories: Making and Meaning

The Australian National University

After the Bauhaus: Design from the Interwar Period to the Age of Climate Crisis

The Australian National University

Art and Visual Culture of the Long Eighteenth Century

The Australian National University

Issues in Contemporary Craft and Design

The Australian National University

Art and its Context: Materials, Context Display

The Australian National University

Utility as Context

The Australian National University

Hold Everything

The Australian National University